Director, Production

This role is responsible for driving the development, planning, and execution of Floresta's fiction content slate, with a strong focus on series and films. The professional will collaborate across the entire creative and production pipeline — from the early research and evaluation of new stories to the final delivery of audiovisual projects — ensuring strategic alignment, operational excellence, and adherence to quality, budget, and schedule.

The position requires deep engagement with internal and external stakeholders, including creative leadership, production partners, talent, distributors, streaming platforms, financiers, and industry players, promoting Floresta's projects and expanding opportunities for financing, co-production, and commercialization. This role is also fundamental in mapping and securing key creative and production talent, supporting process standardization, and contributing to the economic and strategic viability of upcoming productions.

25% – Development Strategy & Project Evaluation

• Conduct research and contribute to strategic decisions regarding the selection and development of new fiction projects (series and films).
• Evaluate potential narratives, formats, creative partners, and co-production opportunities, including analyses related to ANCINE incentives, funding mechanisms, and cash rebate programs.
• Support the creation and structuring of development plans, production models, and creative workflows that strengthen Floresta's fiction portfolio.

25% – Production Management & Operational Supervision

• Implement and supervise fiction projects from planning through final delivery, ensuring alignment with schedules, budgets, and quality standards.
• Coordinate and monitor all development and production phases, anticipating risks, solving operational challenges, and guaranteeing integration across creative, logistical, financial, and technical areas.
• Prepare and validate production budgets, ensuring economic feasibility and alignment with strategic guidelines.

20% – Internal & External Stakeholder Management

• Maintain active communication with internal teams such as General Direction, Executive Operations, Creative Supervision, Talents, Post-Production, Legal, and Finance.
• Represent Floresta in meetings, market events, pitches, and partnership discussions, promoting the company's capabilities and strengthening relationships with broadcasters, distributors, streaming platforms, financiers, and suppliers (national and international).
• Foster strategic relationships to support project financing, distribution, commercialization, and co-production.

20% – Talent Mapping, Contracting & Team Integration

• Map key creative and technical talent for current and future fiction projects and support hiring and onboarding.
• Identify emerging talent and maintain ongoing engagement with writers, directors, showrunners,producers, and other strategic collaborators.
• Promote alignment and smooth communication between creative and production teams.

10% – Process Optimization, Reporting & Business Development

• Support the definition, implementation, and standardization of internal processes related to the development and production of audiovisual works.
• Track and supervise project execution — both budgetary and contractual — producing technical and financial reports whenever required.
• Actively identify new business opportunities, presenting and promoting Floresta's fiction projects to potential partners, clients, channels, and platforms to foster sales, co-productions, and licensing opportunities.

Knowledge of:

• Deep and comprehensive knowledge of the fiction ecosystem, including national and international players, producers, suppliers, showrunners, writers, directors, key talents, narrative trends.   
• Market landscape of broadcasters, distributors, streamers, financiers, and their content strategies for all fiction formats.
• Development and production processes in fictional storytelling, from research and concepting to delivery and distribution.
• Funding mechanisms, including ANCINE, incentive laws, international co-production agreements, and cash rebate programs.
• Budget planning for audiovisual production, cost analysis, and economic feasibility.
• Internal workflows involving creative, production, legal, financial, and post-production areas, ensuring alignment with industry best practices

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